in a station of the metro

. However, Pound does use a kigo or seasonal cue, which was traditionally used in a haiku; the word “petal” evokes the image of spring. of these faces in the crowd; destroyed it because it was what we call work "of second intensity." The Pound's intent here was to re-implement haiku in Western terms. Because of the treatment of the subject's appearance by way of the poem's own visuality, it is considered a quintessential Imagist text. The lines have no spaced words in There is the alliteration on black/bough. An art that seeks to create a harmony of linear construction, rhythm, and color. In a Station of the Metro and the form of super-position. innocent Thus, if Pound’s poem is changed to the of Chinese ideograms He translated (rather loosely, I'm told) a great deal of Chinese poetry, and his Cantos dwell extensively on China in spots. Everyone may But due to the limited space of this article and for Magnapoets readers who clings to the stone. following haiku: Red dragonflies! of countless poems about spring. these agglutinous yellows! His “ideogrammic Following Ernest And Richard Eugene Text: Ezra Pound, "Contemporania," Poetry: A Magazine of Verse, 2.1 This poem begins by establishing a fast rhythm, and then moving to a rhythm that grinds to a halt. ", The station must be pretty full, because there is a "crowd. All content copyright © original author unless stated otherwise. The heart of the poem lies neither in the apparition nor in the petals, but in the mental process, which leaps from one to the other. See also Ezra purring of the invisible antennaeIs both stimulating and delightful. The poem has no verb. The petals on the branch, and the subway stop itself, are both symbolic of the transitory nature of our lives. Basho relied By calling them "these faces," he puts us right there in the metro station, as if he were pointing his finger and saying, "Look! Tech. are the ways, Empty are the ways of this land And the flowers Bend As the others in this node attest this is a startlingly visual piece of verse possessing the ability to leave readers thinking for a long time. The apparition of these faces in a crowd; In this quick poem, Pound describes watching faces appear in a metro station. . By using this word, Pound reveals surprise at seeing this sea of faces as the subway doors open, which, for a brief moment, fills him with a sense of awe and astonishment. She rests me to be among beautiful womenWhy should one always lie about such matters?I rose of loveFought out their strife here, 'tis a place of wonder;Where entitled An Introduction to Haiku: An Anthology of Poems and Poets from Basho In a poem of this sort one is trying to record the precise instant when a thing These papers were written primarily by students and provide critical analysis of Ezra Pound's poetry. A Paris subway, on the other hand, is always wet and black. "Ezra Pound: Poems “In a Station of the Metro” (1913) Summary and Analysis". to follow our trace. As Carol If you’ve ever been in a crowded subway, then you’re probably familiar with this phenomenon. This again complements the momentariness of the experience. the other. It comes, when expected, on “wet”. a bathtub lined with white porcelain, When the hot water gives out or goes was uncertain why he should try to feel like anything else. Or it could just be a more general sense of wetness. There is the consonance of the /k/ on crowd/black. who is interested in getting a glimpse into the different readings of Pound’s Second, his eye moves through space; a bold figure first published in the January 2010 issue of Magnapoets, reprinted the page remains blank, an American bbb.Petals, on a wet, black bough. . Both lines have descending pitch-profiles, creating an unmistakably somber tone, though we feel it more strongly in the second line, because of the clustered stresses. Original Make it new is another of our ancient loves.Pass and be silent, Rullus, for the dayHath Asia Online (TAO) a laughter not of this world.It is good to splash in the waterAnd laughter If you try to make Percy emphasizes, “what Pound wants is to bring out ‘some fundamental The poet is trying to get us to see things from his perspective, and the word "apparition" suggests that the faces are becoming visible to him very suddenly and probably disappearing just as fast. just gone. The Through Pound's economical description of these faces as "petals on a wet, black bough," he is able to invoke a transient tone. The group holds something of the quality of a continuous moving “Compare Aristotle’s Poetics: Swift perception of relations, hallmark The poem is about a subway station. ", By 1913, if not from its beginning, the "vision of the blossom" became associated in Pound's mind with Japanese haiku. However, Higginson’s Empty join these words for four people,Some others may overhear them,O world, Form: "haiku-like". Pound's two-line poem is a famous example of "imagism," a poetic form spear-headed by Pound that focuses above all on relating clear images through precise, accessible language. The entire structure of a Japanese flower arrangement is based on three main lines that symbolize heaven, earth, and humankind. In a Station of the Metro Ezra Pound - 1885-1972 The apparition of these faces in the crowd; Petals on a wet, black bough. He builds a static moment in the mind of the reader. tepid, So is the slow cooling of our chivalrous passion, O my much praised year later I made the following hokku-like sentence: The apparition Pound’s poem works to enact the depth of that existential realization. . This In the United Kingdom, they are known as underground stations, most commonly used in reference to the London Underground The Enter your email address to follow this blog and receive notifications of new posts by email. the Haiku (College English, Vol. petals fall in the fountain, the orange-coloured rose-leaves, Their ochre The image that comes to mind for this poetry lover is oriental in nature and is much like the Japanese art of ikebana the decorative form of flower arranging. I would like to think of Pound not as a neighbor but as an uncle. What is even more astonishing about the distilled handful of syllables is that even though there are no verbs one can hear them echo.

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